Buffalo Film Seminars I-VIII

Spring 2000-Spring 2004

 

series

title

director

year

 

By series:

 

I: Spring 2000

 

William Wellman, The Public Enemy, 1931

Lloyd Bacon, 42nd Street, 1933

Frank Capra, It Happened One Night, 1934

Leni Riefenstahl, Triumph des Willens/Triumph of the Will, 1934                               

Sam Wood, A Night at the Opera, 1935

John Ford, The Grapes of Wrath, 1940

Billy Wilder, Double Indemnity, 1944

Jean Cocteau, Belle et la bête/Beauty and the Beast, 1946

Fred Zinnemann, High Noon, 1952

Elia Kazan, On the Waterfront, 1954

Orson Welles, Touch of Evil, 1958

Arthur Penn, Bonnie and Clyde, 1967

Martin Scorsese, Raging Bull, 1980

 

II: Fall 2000

 

Jean Renoir, La Grande illusion/The Grand Illusion, 1937

Ernst Lubitsch, Ninotchka, 1939

Otto Preminger, Laura, 1944

Alfred Hitchcock, Notorious, 1946

Joseph Mankiewicz, All About Eve, 1950

Stanley Kubrick, Paths of Glory, 1957

Federico Fellini, La Dolce Vita, 1960

Mike Nichols, Who’s Afraid of Virginia Woolf?, 1966

John Schlesinger, Midnight Cowboy, 1969

Bob Fosse, All that Jazz, 1979

Connie Field, The Life and Times of Rosie the Riveter, 1980

Peter Greenaway, The Cook, the Thief, His Wife & Her Lover, 1989

Nikita Mikhalkov, Utomlyonnye solntsem/Burnt by the Sun, 1994

 

III: Spring 2001

 

King Vidor, The Big Parade,1925

Mervyn LeRoy, Gold Diggers of 1933, 1933

Luis Buñuel, El Ángel exterminador/The Exterminating Angel, 1962

Sergei Eisenstein, Ivan Groznyj I & II/Ivan the Terrible parts I & II, 1943 & 1946

Vittorio De Sica, Ladri di bicyclette/Bicycle Thieves, 1947

Marcel Carné, Les Enfants du Paradis/Children of Paradise, 1945

Robert Aldrich Kiss Me Deadly, 1955

Sergio Leone, C’era un volta il West/Once Upon a Time in the West, 1968

Peter Bogdanovitch, The Last Picture Show, 1971

William Friedkin, The French Connection, 1971

John Huston, The Man Who Would be King, 1975

Charles Burnett, Killer of Sheep, 1977

Akira Kurosawa, Dersu Uzala, 1974

 

IV: Fall 2001

 

Buster Keaton & Clyde Bruckman, The General 1927

Georg Pabst, Die Büchse der Pandora/Pandora's Box 1929 

Mervyn LeRoy, Little Caesar 1930*

Ernst Lubitsch Trouble in Paradise 1932

Preston Sturges, Sullivan’s Travels 1942

Billy Wilder, Sunset Boulevard 1950

Henri-Georges Clouzot, Le Salaire de la peur/Wages of Fear 1953

Charles Laughton, The Night of the Hunter 1955

Alexander Mackendrick, Sweet Smell of Success 1957

Luchino Visconti, Il Gattopardo/The Leopard 1963 

Bernardo Bertolucci, Il Conformista/The Conformist, 1970 

Nicolas Roeg, Don’t Look Now, 1973

Terrence Malick, Days of Heaven 1978

Terry Gilliam The Adventures of Baron Munchausen 1988

 

V: Spring 2002

 

Mervyn LeRoy, Little Caesar 1930

Michael Powell and Emeric Pressburger, I Know Where I'm Going 1945

Nicolas Ray, In a Lonely Place 1950

Akira Kurosawa, Rashômon 1950

Satyajit Ray, Pather Panchali 1955

Jean-Luc Godard, À bout de souffle/Breathless 1959

Robert Rossen, The Hustler 1961

John Ford, The Man Who Shot Liberty Valance 1962

Stanley Kubrick Dr Strangelove 1964

Josef von Sternberg, Der Blaue EngelThe Blue Angel 1930

Lindsay Anderson, if... 1968

Robert Altman, Nashville 1975

Martin Scorsese, Mean Streets 1973

Billy Wilder, Some Like it Hot 1959

 

VI: Fall 2002

 

F.W. Murnau, Sunrise, 1927

Fritz Lang, M, 1931

W. S. Van Dyke, The Thin Man, 1934

Ruben Mamoulian, Queen Christina, 1933

Jean Renoir, La Règle du jeu/The Rules of the Game, 1939

John Huston, The Maltese Falcon, 1941

Roberto Rossellini, Roma, città operta/Open City, 1945

Carol Reed, The Third Man, 1949

Yasujiro Ozu, Tokyo monogatari/Tokyo Story, 1953

Marcel Camus, Orfeu Negro/Black Orpheus, 1958

Luis Buñuel, Belle de Jour, 1967

John Cassavetes, Faces, 1968

Sam Peckinpah, The Wild Bunch, 1969

François Truffaut, La Nuit Américaine/Day for Night, 1973

Terry Gilliam and Terry Jones, Monty Python and the Holy Grail, 1975

 

VII: Fall 2003

 

Buster Keaton Our Hospitality 1924

Fritz Lang Metropolis 1927

Howard Hawks Scarface 1932

Cedric Gibbons Tarzan and his Mate 1934

David Lean Great Expectations 1946

Jacques Tourneur Out of the Past 1947

Kenji Misoguchi Ugetsu monogatari/Ugetsu 1953

John Ford The Searchers 1956

Alfred Hitchcock Vertigo 1958

Jean-Luc Godard Le Mépris/Contempt 1963

Martin Scorsese Taxi Driver 1976

Peter Medak The Ruling Class 1972

Andrei Tarkovsky Offret/The Sacrifice 1986

Jim Jarmusch Dead Man 1995

Pedro Almodóvar Habla con ella/Talk to Her 2002

 

VIII: Spring 2004

 

Erich von Stroheim, Greed, 1925

Lewis Milestone, All Quiet on the Western Front,1930

Fritz Lang, You Only Live Once,1939

Preston Sturges, The Lady Eve, 1941

Michael Curtiz: Casablanca, 1941

Wiliam A. Wellman, The Ox Bow Incident, 1943

Michael Powell and Emeric Pressburger, The Life & Death of Colonel Blimp, 1943

John Houston, The Asphalt Jungle, 1950

Stanley Donen and Gene Kelly, Singin’ in the Rain 1952

Fred Zinneman, From Here to Eternity, 1953

Akira Kurosawa, Kumonosu jo/Throne of Blood, 1957

Luchino Visconti, Rocco e i suoi fratelli/Rocco and his Brothers, 1960

François Truffaut, Jules et Jim/Jules and Jim, 1961

 

series

title

director

year

 

 

By Title:

 

Terry Gilliam The Adventures of Baron Munchausen 1988 (fall 2001)

Joseph Mankiewicz, All About Eve, 1950 (fall 2000)

Lewis Milestone, All Quiet on the Western Front,1930 (spring 2004)

Bob Fosse, All that Jazz, 1979 (fall 2000)

Luis Buñuel, El Ángel exterminador/The Exterminating Angel, 1962 (spring 2001)

John Houston, The Asphalt Jungle, 1950 (spring 2004)

 

Jean Cocteau, Beauty and the Beast/Belle et la bête, 1946 (spring 2000)

Jean Cocteau, Belle et la bête/Beauty and the Beast, 1946 (spring 2000)

Luis Buñuel, Belle de Jour, 1967 (fall 2002)

Vittorio De Sica, Bicycle Thieves/Ladri di bicyclette, 1947 (spring 2001)

King Vidor, The Big Parade,1925 (spring 2001)

Marcel Camus, Black Orpheus/Orfeu Negro/Black Orpheus, 1958 (fall 2002)

Josef von Sternberg, The Blue Angel/Der Blaue Engel, 1930 (spring 2002)

Jean-Luc Godard, À bout de souffle/Breathless 1959 (spring 2002)

Josef von Sternberg, Der Blaue EngelThe Blue Angel, 1930 (spring 2002)

Josef von Sternberg, The Blue Angel/Der Blaue Engel, 1930 (spring 2002)

Arthur Penn, Bonnie and Clyde, 1967 (spring 2000)

Jean-Luc Godard, À bout de souffle/Breathless, 1959 (spring 2002)

James Whale, Bride of Frankenstein, 1935 (spring 2001)

Georg Pabst, Die Büchse der Pandora/Pandora’s Box 1929 (fall 2001)

Nikita Mikhalkov, Burnt by the Sun/Utomlyonnye solntsem, 1994 (fall 2000)

 

Sergio Leone, C’era un volta il West/Once Upon a Time in the West, 1968 (spring 2001)

Marcel Carné, The Children of Paraside/Les Enfants du paradis, 1945 (spring 2001)

Bernardo Bertolucci, Il Conformista/The Conformist, 1970 (fall 2001)

Jean-Luc Godard Le Mépris/Contempt 1963 (fall 2003)

Peter Greenaway, The Cook, the Thief, His Wife & Her Lover, 1989 (fall 2000)

 

François Truffaut, Day for Night/La Nuit américaine, 1973 (fall 2002)

Terrence Malick, Days of Heaven 1978 (fall 2001)

Jim Jarmusch Dead Man 1995 (fall 2003)

Akira Kurosawa, Dersu Uzala, 1974 (spring 2001)

 

Nicolas Roeg, Don’t Look Now, 1973 (fall 2001)

Billy Wilder, Double Indemnity, 1944 (spring 2000)

Stanley Kubrick Dr Strangelove 1964 (spring 2002)

 

Luis Buñuel, El Ángel exterminador/The Exterminating Angel, 1962 (spring 2001)

Marcel Carné, Les Enfants du paradis/Children of Paradise, 1945 (spring 2001)

 

John Cassavetes, Faces, 1968 (fall 2002)

Lloyd Bacon, 42nd Street, 1933 (spring 2000)

William Friedkin, The French Connection, 1971 (spring 2001)

Fred Zinneman, From Here to Eternity, 1953 (spring 2004)

 

Luchino Visconti, Il Gattopardo/The Leopard 1963 (fall 2001)

Buster Keaton & Clyde Bruckman, The General 1927 (fall 2001)

Mervyn LeRoy, Gold Diggers of 1933, 1933 (spring 2001)

Jean Renoir, La Grande illusion/The Grand Illusion, 1937 (fall 2000)

David Lean Great Expectations 1946  (fall 2003)

John Ford, The Grapes of Wrath, 1940 (spring 2000)

Erich von Stroheim, Greed, 1925 (spring 2004)

 

Pedro Almodóvar Habla con ella/Talk to Her 2002 (fall 2003)

Fred Zinnemann, High Noon, 1952 (spring 2000)

 

Lindsay Anderson, if... 1968 (spring 2002)

Michael Powell and Emeric Pressburger, I Know Where I'm Going 1945 (spring 2002)

Nicolas Ray, In a Lonely Place 1950 (spring 2002)

Frank Capra, It Happened One Night, 1934 (spring 2000)

Sergei Eisenstein, Ivan Groznyj I & II/Ivan the Terrible parts I & II, 1943 & 1946 (spring 2001)

Sergei Eisenstein, Ivan the Terrible parts I & II/Ivan Groznyj I & II/, 1943 & 1946 (spring 2001)

 

Charles Burnett, Killer of Sheep, 1977 (spring 2001)

Robert Aldrich Kiss Me Deadly, 1955 (spring 2001)

Akira Kurosawa, Kumonosu jo/Throne of Blood, 1957 (spring 2004)

 

Federico Fellini, La Dolce Vita, 1960 (fall 2000)

Vittorio De Sica, Ladri di bicyclette/Bicycle Thieves, 1947 (spring 2001)

Preston Sturges, The Lady Eve, 1941 (spring 2004)

Peter Bogdanovitch, The Last Picture Show, 1971 (spring 2001)

Otto Preminger, Laura, 1944 (fall 2000)

Luchino Visconti, The Leopard/Il Gattopardo 1963 (fall 2001)

William A. Wellman, The Ox Bow Incident, 1943 (spring 2004)

Connie Field, The Life and Times of Rosie the Riveter, 1980 (fall 2000)

Mervyn LeRoy, Little Caesar 1930 (fall 2001, spring 2002)*

 

Fritz Lang, M, 1931 (fall 2002)

 

John Huston, The Maltese Falcon, 1941 (fall 2002)

John Ford, The Man Who Shot Liberty Valance 1962 (spring 2002)

John Huston, The Man Who Would be King, 1975 (spring 2001)

John Ford, The Man Who Shot Liberty Valance 1962 (spring 2002)

Martin Scorsese, Mean Streets 1973 (spring 2002)

Jean-Luc Godard Le Mépris/Contempt 1963 (fall 2003)

Fritz Lang Metropolis 1927 (fall 2003)

John Schlesinger, Midnight Cowboy, 1969 (fall 2000)

Terry Gilliam and Terry Jones, Monty Python and the Holy Grail, 1975 (fall 2002)

 

Robert Altman, Nashville 1975 (spring 2002)

Sam Wood, A Night at the Opera, 1935 (spring 2000)

Charles Laughton, The Night of the Hunter 1955 (fall 2001)

Ernst Lubitsch, Ninotchka, 1939 (fall 2000)

Alfred Hitchcock, Notorious, 1946 (fall 2000)

 François Truffaut, La Nuit américaine/Day for Night, 1973 (fall 2002)

 

Andrei Tarkovsky Offret/The Sacrifice 1986 (fall 2003)

Sergio Leone, Once Upon a Time in the West/C’era un volta il West, 1968 (spring 2001)

Elia Kazan, On the Waterfront, 1954 (spring 2000)

Roberto Rossellini, Open City/Roma, città aperta, 1945 (fall 2002)

Marcel Camus, Orfeu Negro/Black Orpheus, 1958 (fall 2002)

Buster Keaton Our Hospitality 1924  (fall 2003)

Jacques Tourneur Out of the Past 1947 (fall 2003)

William A. Wellman, The Ox Bow Incident, 1943 (spring 2004)

 

 

Georg Pabst, Pandora’s Box/Die Büchse der Pandora, 1929 (fall 2001)

Satyajit Ray, Pather Panchali 1955 (spring 2002)

Stanley Kubrick, Paths of Glory, 1957 (fall 2000)

William Wellman, The Public Enemy, 1931 (spring 2000)

 

Ruben Mamoulian, Queen Christina, 1933 (fall 2002)

 

Martin Scorsese, Raging Bull, 1980 (spring 2000)

Akira Kurosawa, Rashômon 1950 (spring 2002)

Jean Renoir, La Règle du jeu/The Rules of the Game, 1939 (fall 2002)

Luchino Visconti, Rocco e i suoi fratelle/Rocco and his Brothers, 1960 (spring 2004)

Roberto Rossellini, Roma, città aperta/Open City, 1945 (fall 2002)

Jean Renoir, The Rules of the Game/La Règle du jeu, 1939 (fall 2002)

Peter Medak The Ruling Class 1972 (fall 2003)

 

Andrei Tarkovsky The Sacrifice/Offret 1986 (fall 2003)

Henri-Georges Clouzot, Le Salaire de la peur/Wages of Fear 1953 (fall 2001)

Howard Hawks Scarface 1932 (fall 2003)

 

John Ford The Searchers 1956  (fall 2003)

Stanley Donen and Gene Kelly, Singin’ in the Rain 1952 (spring 2004)

Billy Wilder, Some Like it Hot 1959 (spring 2002)

Preston Sturges, Sullivan’s Travels 1942 (fall 2001)

Billy Wilder, Sunset Boulevard 1950 (fall 2001)

F.W. Murnau, Sunrise, 1927 (fall 2002)

Alexander Mackendrick, Sweet Smell of Success 1957 (fall 2001)

 

Pedro Almodóvar Talk to Her/Habla con ella 2002 (fall 2003)

Cedric Gibbons Tarzan and his Mate 1934 (fall 2003)

Martin Scorsese Taxi Driver 1976 (fall 2003)

W. S. Van Dyke, The Thin Man, 1934. (fall 2002)

Carol Reed, The Third Man, 1949 (fall 2002)

Akira Kurosawa, Throne of Blood/Kumonosu jo, 1957 (spring 2004)

Yasujiro Ozu, Tokyo monogatari/Tokyo Story, 1953 (fall 2002)

Orson Welles, Touch of Evil, 1958 (spring 2000)

Leni Riefenstahl, Triumph des Willens/Triumph of the Will, 1934 (spring 2000)

Ernst Lubitsch Trouble in Paradise 1932 (fall 2001)

 

Kenji Misoguchi Ugetsu monogatari/Ugetsu (spring 2003)

Nikita Mikhalkov, Utomlyonnye solntsem/Burnt by the Sun, 1994 (fall 2000)

 

Alfred Hitchcock Vertigo 1958  (fall 2003)

 

Henri-Georges Clouzot, The Wages of Fear/Le Salaire de la peur 1953 (fall 2001)

Mike Nichols, Who’s Afraid of Virginia Woolf?, 1966 (fall 2000)

Sam Peckinpah, The Wild Bunch, 1969 (fall 2002)

Fritz Lang, You Only Live Once,1939 (spring 2004)

 

series

title

director

year

 

By Director:

 

Robert Aldrich Kiss Me Deadly, 1955 (spring 2001)

Pedro Almodóvar Habla con ella/Talk to Her 2002 (spring 2003)

Robert Altman, Nashville 1975 (spring 2002)

Lindsay Anderson, if... 1968 (spring 2002)

 

Lloyd Bacon, 42nd Street, 1933 (spring 2000)

Bernardo Bertolucci, Il Conformista/The Conformist, 1970 (fall 2001)

Peter Bogdanovitch, The Last Picture Show, 1971 (spring 2001)

Luis Buñuel, Belle de Jour, 1967 (fall 2002)

Luis Buñuel, El Ángel exterminador/The Exterminating Angel, 1962 (spring 2001)

Charles Burnett, Killer of Sheep, 1977 (spring 2001)

 

Marcel Camus, Orfeu Negro/Black Orpheus, 1958 (fall 2002)

Frank Capra, It Happened One Night, 1934 (spring 2000)

Marcel Carné, Les Enfants du paradis/Children of Paradise, 1945 (spring 2001)

John Cassavetes, Faces, 1968 (fall 2002)

Henri-Georges Clouzot, Le Salaire de la peur/Wages of Fear 1953 (fall 2001)

Jean Cocteau, Belle et la bête/Beauty and the Beast, 1946 (spring 2000)

Michael Curtiz: Casablanca, 1941 (spring 2004)

 

Vittorio De Sica, Ladri di bicyclette/Bicycle Thieves, 1947 (spring 2001)

Stanley Donen and Gene Kelly, Singin’ in the Rain 1952 (spring 2004)

 

Sergei Eisenstein, Ivan Groznyj I & II/Ivan the Terrible parts I & II, 1943 & 1946 (spring 2001)

 

Federico Fellini, La Dolce Vita, 1960 (fall 2000)

Connie Field, The Life and Times of Rosie the Riveter, 1980 (fall 2000)

John Ford, The Grapes of Wrath, 1940 (spring 2000)

John Ford, The Man Who Shot Liberty Valance 1962 (spring 2002)

John Ford The Searchers 1956 (spring 2003)

Bob Fosse, All that Jazz, 1979 (fall 2000)

William Friedkin, The French Connection, 1971 (spring 2001)

 

Cedric Gibbons Tarzan and his Mate 1934 (spring 2003)

Terry Gilliam The Adventures of Baron Munchausen 1988 (fall 2001)

Terry Gilliam and Terry Jones, Monty Python and the Holy Grail, 1975 (fall 2002)

 

Jean-Luc Godard, À bout de souffle/Breathless 1959 (spring 2002)

Jean-Luc Godard Le Mépris/Contempt 1963 (spring 2003)

 

Peter Greenaway, The Cook, the Thief, His Wife & Her Lover, 1989 (fall 2000)

 

Howard Hawks Scarface 1932 (spring 2003)

Alfred Hitchcock, Notorious, 1946 (fall 2000)

Alfred Hitchcock Vertigo 1958 (spring 2003)

 

John Houston, The Asphalt Jungle, 1950 (spring 2004)

John Huston, The Maltese Falcon, 1941 (fall 2002)

John Huston, The Man Who Would be King, 1975 (spring 2001)

 

Jim Jarmusch Dead Man 1995 (spring 2003)

 

Elia Kazan, On the Waterfront, 1954 (spring 2000)

Buster Keaton & Clyde Bruckman, The General 1927 (fall 2001)

Buster Keaton Our Hospitality 1924 (spring 2003)

Stanley Kubrick Dr Strangelove 1964 (spring 2002)

Stanley Kubrick, Paths of Glory, 1957 (fall 2000)

Akira Kurosawa, Dersu Uzala, 1974 (spring 2001)

Akira Kurosawa, Kumonosu jo/Throne of Blood, 1957 (Spring 2004)

Akira Kurosawa, Rashômon 1950 (spring 2002)

 

Fritz Lang, M, 1931 (fall 2002)

Fritz Lang Metropolis 1927 (spring 2003)

Fritz Lang, You Only Live Once,1939 (spring 2004)

David Lean Great Expectations 1946 (spring 2003)

Mervyn LeRoy, Little Caesar 1930 (fall 2001/spring 2002)*

Charles Laughton, The Night of the Hunter 1955 (fall 2001)

Sergio Leone, C’era un volta il West/Once Upon a Time in the West, 1968 (spring 2001)

Mervyn LeRoy, Little Caesar 1930 (fall 2001/spring 2002)*

Mervyn LeRoy, Gold Diggers of 1933, 1933 (spring 2001)

Ernst Lubitsch, Ninotchka, 1939 (fall 2000)

Ernst Lubitsch Trouble in Paradise 1932 (fall 2001)

 

Alexander Mackendrick, Sweet Smell of Success 1957 (fall 2001)

Terrence Malick, Days of Heaven 1978 (fall 2001)

Ruben Mamoulian, Queen Christina, 1933 (fall 2002)

Joseph Mankiewicz, All About Eve, 1950 (fall 2000)

Peter Medak The Ruling Class 1972 (spring 2003)

Nikita Mikhalkov, Utomlyonnye solntsem/Burnt by the Sun, 1994 (fall 2000)

Lewis Milestone, All Quiet on the Western Front,1930 (spring 2004)

Kenji Misoguchi Ugetsu monogatari/Ugetsu 1953 (spring 2003)

F.W. Murnau, Sunrise, 1927 (fall 2002)

Mike Nichols, Who’s Afraid of Virginia Woolf?, 1966 (fall 2000)

 

Yasujiro Ozu, Tokyo monogatari/Tokyo Story, 1953 (fall 2002)

 

Georg Pabst, Die Büchse der Pandora/Pandora’s Box 1929 (fall 2001)

Sam Peckinpah, The Wild Bunch, 1969 (fall 2002)

Arthur Penn, Bonnie and Clyde, 1967 (spring2000)

Michael Powell and Emeric Pressburger, I Know Where I'm Going 1945 (spring 2002)

Michael Powell and Emeric Pressburger, The Life & Death of Colonel Blimp, 1943 (spring 2004)

Otto Preminger, Laura, 1944 (fall 2000)

 

Nicolas Ray, In a Lonely Place 1950 (spring 2002)

Satyajit Ray, Pather Panchali 1955 (spring 2002)

Carol Reed, The Third Man, 1949 (fall 2002)

Jean Renoir, La Grande illusion/The Grand Illusion, 1937 (fall 2000)

Jean Renoir, La Règle du jeu/The Rules of the Game, 1939 (fall 2002)

Leni Riefenstahl, Triumph des Willens/Triumph of the Will, 1934 (spring 2000)

Nicolas Roeg, Don’t Look Now, 1973 (fall 2001)

Roberto Rossellini, Roma, città aperta/Open City, 1945 (fall 2002)

Robert Rossen, The Hustler 1961 (spring 2002)

 

John Schlesinger, Midnight Cowboy, 1969 (fall 2000)

Martin Scorsese, Mean Streets 1973 (spring 2002)

Martin Scorsese, Raging Bull, 1980 (spring 2000)

Martin Scorsese Taxi Driver 1976 (spring 2003)

Josef von Sternberg, Der Blaue EngelThe Blue Angel 1930 (spring 2002)

Preston Sturges, The Lady Eve, 1941 (spring 2004)

Preston Sturges, Sullivan’s Travels 1942 (fall 2001)

 

Andrei Tarkovsky Offret/The Sacrifice 1986 (spring 2003)

Jacques Tourneur Out of the Past 1947 (fall 2003)

François Truffaut, Jules et Jim/Jules and Jim, 1961 (spring 2004)

François Truffaut, La Nuit américaine/Day for Night, 1973 (fall 2002)

 

W. S. Van Dyke, The Thin Man, 1934. (fall 2002)

King Vidor, The Big Parade,1925 (spring 2001)

Luchino Visconti, Il Gattopardo/The Leopard 1963 (fall 2001)

Luchino Visconti, Rocco e i suoi fratelli/Rocco and his Brothers, 1960 (spring 2004)

Erich von Stroheim, Greed, 1925 (spring 2004)

 

Orson Welles, Touch of Evil, 1958 (spring 2000)

 

William A. Wellman, The Ox Bow Incident, 1943 (spring 2004)

William Wellman, The Public Enemy, 1931 (spring 2000)

James Whale, Bride of Frankenstein, 1935 (spring 2001)

Billy Wilder, Double Indemnity, 1944 (spring 2000)

Billy Wilder, Some Like it Hot 1959 (spring 2002)

Billy Wilder, Sunset Boulevard 1950 (fall 2001)

Sam Wood, A Night at the Opera, 1935 (spring 2000)

 

Fred Zinneman, From Here to Eternity, 1953 (spring 2004)

Fred Zinnemann, High Noon, 1952 (spring 2000)                                

 

series

title

director

year

                                                           

By Year of Release

 

King Vidor, The Big Parade,1925 (spring 2001)

Erich von Stroheim, Greed, 1925 (spring 2004)

Buster Keaton & Clyde Bruckman, The General 1927 (fall 2001)

Fritz Lang Metropolis 1927 (fall 2003)

F.W. Murnau, Sunrise, 1927 (fall 2002)

Georg Pabst, Die Büchse der Pandora/Pandora’s Box 1929 (fall 2001)

 

Lewis Milestone, All Quiet on the Western Front,1930 (spring 2004)

Josef von Sternberg, Der Blaue EngelThe Blue Angel 1930 (spring 2002)

 

Mervyn LeRoy, Little Caesar 1930 (fall 2001, spring 2002)*

Fritz Lang, M, 1931 (fall 2002)

William Wellman, The Public Enemy, 1931 (spring 2000)

Howard Hawks Scarface 1932 (fall 2003)

Ernst Lubitsch Trouble in Paradise 1932 (fall 2001)

Lloyd Bacon, 42nd Street, 1933 (spring 2000)

Mervyn LeRoy, Gold Diggers of 1933, 1933 (spring 2001)

Ruben Mamoulian, Queen Christina, 1933 (fall 2002)

Frank Capra, It Happened One Night, 1934 (spring 2000)

Cedric Gibbons Tarzan and his Mate 1934 (fall 2003)

W. S. Van Dyke, The Thin Man, 1934 (fall 2002)

Leni Riefenstahl, Triumph des Willens/Triumph of the Will, 1934 (spring 2000)

James Whale, Bride of Frankenstein, 1935 (spring 2001)

Sam Wood, A Night at the Opera, 1935 (spring 2000)

Jean Renoir, La Grande illusion/The Grand Illusion, 1937 (fall 2000)

Ernst Lubitsch, Ninotchka, 1939 (fall 2000)

Jean Renoir, La Règle du jeu/The Rules of the Game, 1939 (fall 2002)

Fritz Lang, You Only Live Once,1939 (spring 2004)

 

John Ford, The Grapes of Wrath, 1940 (spring 2000)

Michael Curtiz: Casablanca, 1941 (spring 2004)

Preston Sturges, The Lady Eve, 1941 (spring 2004)

John Huston, The Maltese Falcon, 1941 (fall 2002)

Preston Sturges, Sullivan’s Travels 1942 (fall 2001)

Sergei Eisenstein, Ivan Groznyj I & II/Ivan the Terrible parts I & II parts I & II, 1943 & 1946 (spring 2001)

Michael Powell and Emeric Pressburger, The Life & Death of Colonel Blimp, 1943 (spring 2004)

William A. Wellman, The Ox Bow Incident, 1943 (spring 2004)

Billy Wilder, Double Indemnity, 1944 (spring 2000)

Otto Preminger, Laura, 1944 (fall 2000)

Marcel Carné, Les Enfants du paradis/Children of Paradise, 1945 (spring 2001)

Michael Powell and Emeric Pressburger, I Know Where I'm Going 1945 (spring 2002)

Roberto Rossellini, Roma, città aperta/Open City, 1945 (fall 2002)

Jean Cocteau, Belle et la bête/Beauty and the Beast, 1946 (spring 2000)

David Lean Great Expectations 1946 (fall 2003)

Alfred Hitchcock, Notorious, 1946 (fall 2000)

Vittorio De Sica, Ladri di bicyclette/Bicycle Thieves, 1947 (spring 2001)

Jacques Tourneur Out of the Past 1947 (fall 2003)

Carol Reed, The Third Man, 1949 (fall 2002)

 

Joseph Mankiewicz, All About Eve, 1950 (fall 2000)

John Houston, The Asphalt Jungle, 1950 (spring 2004)

Nicolas Ray, In a Lonely Place 1950 (spring 2000)

Akira Kurosawa, Rashômon 1950 (spring 2002)

Billy Wilder, Sunset Boulevard 1950 (fall 2001)

Fred Zinnemann, High Noon, 1952 (spring 2000)

Stanley Donen and Gene Kelly, Singin’ in the Rain 1952 (spring 2004)

Fred Zinneman, From Here to Eternity, 1953 (spring 2004)

 

Henri-Georges Clouzot, Le Salaire de la peur/Wages of Fear 1953 (fall 2000)

Yasujiro Ozu, Tokyo monogatari/Tokyo Story, 1953 (fall 2002)

Kenji Misoguchi Ugetsu monogatari/Ugetsu 1953 (spring 2003)

Elia Kazan, On the Waterfront, 1954 (spring 2000)

Robert Aldrich Kiss Me Deadly, 1955 (spring 2001)

Charles Laughton, The Night of the Hunter 1955 (fall 2001)

Satyajit Ray, Pather Panchali 1955 (spring 2002)

John Ford The Searchers 1956 (fall 2003)

Akira Kurosawa, Kumonosu jo/Throne of Blood, 1957 (spring 2004)

Stanley Kubrick, Paths of Glory, 1957 (fall 2000)

Alexander Mackendrick, Sweet Smell of Success 1957 (fall 2001)

Marcel Camus, Orfeu Negro/Black Orpheus, 1958 (fall 2002)

Orson Welles, Touch of Evil, 1958 (spring 2000)

Alfred Hitchcock Vertigo 1958 (fall 2003)

Jean-Luc Godard, À bout de souffle/Breathless 1959 (spring 2002)

Billy Wilder, Some Like it Hot 1959 (spring 2002)

 

Federico Fellini, La Dolce Vita, 1960

Luchino Visconti, Rocco e i suoi fratelli/Rocco and his Brothers, 1960 (spring 2004)

Robert Rossen, The Hustler 1961

François Truffaut, Jules et Jim/Jules and Jim, 1961 (spring 2004)

Luis Buñuel, El Ángel exterminador/The Exterminating Angel, 1962 (spring 2001)

John Ford, The Man Who Shot Liberty Valance 1962 (spring 2002)

Luchino Visconti, Il Gattopardo/The Leopard 1963 (fall 2001)

Jean-Luc Godard Le Mépris/Contempt 1963 (fall 2003)

Stanley Kubrick Dr Strangelove 1964 (spring 2002)

Mike Nichols, Who’s Afraid of Virginia Woolf?, 1966 (fall 2000)

Luis Buñuel, Belle de Jour, 1967 (fall 2002)

Arthur Penn, Bonnie and Clyde, 1967 (spring 2000)

John Cassavetes, Faces, 1968 (fall 2002)

Lindsay Anderson, if... 1968 (spring 2002)

Sergio Leone, C’era un volta il West/Once Upon a Time in the West, 1968 (spring 2004)

John Schlesinger, Midnight Cowboy, 1969 (fall 2000)

Sam Peckinpah, The Wild Bunch, 1969 (fall 2002)

 

Bernardo Bertolucci, Il Conformista/The Conformist, 1970 (fall 2001)

William Friedkin, The French Connection, 1971 (spring 2001)

Peter Bogdanovitch, The Last Picture Show, 1971 (spring 2001)

Peter Medak The Ruling Class 1972 (fall 2003)

François Truffaut, La Nuit a.Américaine/Day for Night, 1973 (fall 2002)

Nicolas Roeg, Don’t Look Now, 1973 (fall 2001)

Martin Scorsese, Mean Streets 1973 (spring 2002)

Akira Kurosawa, Dersu Uzala, 1974 (spring 2001)

Terry Gilliam and Terry Jones, Monty Python and the Holy Grail, 1975 (fall 2002)

John Huston, The Man Who Would be King, 1975 (spring 2001)

Robert Altman, Nashville 1975 (spring 2001)

Martin Scorsese Taxi Driver 1976 (fall 2003)

Charles Burnett, Killer of Sheep, 1977 (spring 2001)